Friday, May 6, 2011

A Few Music Man Performance Shots

Here are some shots of the final dress rehearsal onstage for Music Man. I love that I can look at these after the show closes (which isn't till May 15th, but still) and all the memories and feelings and sensations of being onstage flood back. Stay tuned for more, these are just a few I acquired! 

76 Trombones

"Ye gads!" Tommy, Zaneeta, and Harold Hill after 76 Trombones

Tommy shows Zaneeta his new invention

Shipoopi!! Tommy, Marcellus, and Zaneeta in the foreground

Zaneeta and her mom, Eulalie Mackecknie Shinn looking a bit worried for Harold's future
We have two more weekends left starting tonight, and I am already getting a bit sad about closing the show. The energy onstage, developing a character and expressing it to the audience, dancing to live music, and the relationships you form in a cast are unforgettable and such a great gift. I teared up in the grocery store the other day when I thought about what a wonderful gift God has given me in being able to be part of this show and cast. That is the double edged sword of theater-- you get rejected sometimes, yes, but you also get to be part of an amazing community for just a short while sometimes. And it doesn't last forever, so it's bittersweet. Yet we come back again and again...
If you want to come see the show (please do!) it's at Lakewood Cultural Center and you can get tickets by calling the box office at 303-987-7845. Some shows are not available to buy tickets for online.

Wednesday, May 4, 2011

The times, they are a'changin...

I am considering exploring a career in social media marketing. This means (as far as I can tell so far) I would help businesses/individuals have an active online presence on facebook, blogs, twitter, and other social media. Considering the time I spend advertising my shows the last few weeks before they open on my blog/twitter/facebook, and the interest I have in what it takes to get the word out about cultural and arts events, I figure this is a job that might be right up my alley. I am currently doing the marketing for Delusions of Grandeur Productions (the dance company I performed and choreographed with last summer up in Boulder, out of which my piece "that which was lost" came). I am also discussing possibilities of taking on the social media marketing for a photography business as well. 


  This is pretty exciting, because it is something I am actually really fascinated by, and I do adore writing in general. Also, how in the world did we get to the point that a lot of people get most or all of their day to day information online instead of the paper? And because this is happening, how does one compete with the millions of blogs/pages/ads etc online and get your information to people that might be interested in it?  It is an amazing transition we've made and it seems businesses need to be thinking about jumping on board with facebook, twitter, blogs, etc if they are to survive financially.
  

Tuesday, May 3, 2011

Happy birthday to meeeee! And happy opening of Music Man too!

I turned old a few days ago. *offers up my face to be slapped by everyone older than me* . Yes, I had yet another birthday and 100% of people I tell of this event, do not believe me that I am my factual age. So I decided to try and figure out just how young I could get away with being... First I tried to say I turned 16 (Zaneeta, the character I play in Music Man, is that age). No dice. People just looked at me with narrowed eyes and said, "Really? Really. No." So then I replied, "Fine, fine. I'm 21." They then continued looking at me (with slightly LESS narrowed eyes) and didn't answer for a bit. The lucky ones, I told my real age. Can you guess how old I really am? Doesn't count if you've known me for more than a year.

"Ye Gods!"
Can I just say I frickin LOVE the cast of Music Man? A couple darling friends I have made in the cast knew it was my birthday and went and got me a birthday cake on the night of final dress/tech rehearsal (which just happened to land on my birthday). They had the lettering say "Ye Gods"-- Zaneeta's catch phrase. I love you, Susan and Carolyn! It was one of the yummiest cakes anyone ever got me, not to mention one of the most thoughtful. We brought it with us to a restaurant after we finished up rehearsal and had a little celebration (during which 25-ish cast members with amazing voices sang a perfectly harmonized version of "Happy Birthday" to me... I HATE being sung to, so embarassing, but I have to tell you... I didn't mind this so much because it was so beautiful!)

Susan and Gina in our "Iowa Stubborn" dresses

We opened Music Man at the Lakewood Cultural Center in Lakewood, Colorado April 29th, 2011. I was so excited to get onstage in front of a live audience with this show, because I not only get to dance my little butt off, but I have lines and get to sing as well. I play Zaneeta, the Mayor's "oldest girl" and a very twitterpated teenager secretly dating Tommy, the boy from the wrong side of the tracks. I cannot tell you how much energy it gives back to us when we hear the audience laugh or applaud at something we were hoping they'd like, and something we've been working on for so long. It is just the best, most natural high in the world.

Zaneeta and Tommy (Andrew) ready for "Marian the Librarian scene
 After "Oklahoma!" last year, I doubted that I would ever have as much fun onstage again in a musical. Luckily I was wrong! Music Man is a very fun, fast faced show that has a lot of comedy in it. Being that dancing and laughing are my two favorite things to do in the whole world, I consider myself very lucky to get to do both at the same time.

Some of the teen dancers and Marcellus in back ready for "Shipoopi"

Speaking of comedy... Some of the funniest people on the planet are in this show. Not even kidding. Below you see me with Dan (plays Charlie Cowell in this show), with whom I got to act in a melodrama last summer ("Dark Deeds at Swan's Place"). He was the villain and I was his little puppet, basically. Here we are reinacting a scene from last year's play. 

Montague Leech and Tai Pan reunited! (Here costumed as Charlie Cowell and Zaneeta Shinn)

Here I am with my "parents" Mayor Shinn and Eulalie Mackecknie Shinn :)
 I also must add, that there is so much talent on that stage! The singing is out of this world. I have learned so much by being in close proximity to such amazing performers. They make it fun to give up my weekends!

hmmmm.

Above: Me, post opening weekend at home taking out my hairdo... This is how I get my hair to stand up in that little roll around my face. A poly-fiber stuffed knee high over which I wrap my front section of hair. You can see how much I enjoy wearing it...

Casey has been such a trooper with me gone so much lately!
Casey has been a true "white knight" during this very busy time. He's been busy with work as well, but we don't get as much time together as usual with me gone so much at the theater. I am so blessed to have such a supportive guy who is happy I am happy doing what I love!!!
Come see me in Music Man, it's my biggest role yet in the musical theater arena and I can guarantee you will have a good time. Here's some info below if you would like to come. I hear tickets are selling out fast so get on it!


Show times: 
Friday May 6, 7:30 pm
Saturday May 7, 2:00 pm & 7:30 pm
Sunday May 8, 2:00 pm

Friday May 13, 7:30 pm
Saturday May 14, 2:00 pm & 7:30 pm
Sunday May 15, 2:00 pm

FOR TICKETS:
Lakewood Cultural Center
Civic Center North Building 470 S. Allison Parkway 
Lakewood, CO
www.lakewood.org/comres/page.cfm?ID=46
Box Office: 303-987-7845

Show synopsis: Con man Harold Hill poses as a boys’ band organizer and leader, sells band instruments and uniforms to naïve townsfolk before skipping town with the cash. In River City, Iowa, prim but progressive Marian the librarian sees through him, but when Hill helps her younger brother, Marian begins to fall in love with Harold. Harold, in turn falling for Marian, risks being caught to win her. Songs include "76 Trombones," "Trouble," "Goodnight My Someone," and "Wells Fargo Wagon." 

Thursday, February 3, 2011

EEE GADS!


So, about a week ago I bit the bullet and walked headfirst into a musical theater audition. This involves the slightly nervewracking experience of singing alone in front of people. As most of you know, I have trained in dance for years and years, and have been involved in many theater productions over the years as well. I have been taking voice lessons since last March but singing alone still makes me nervous.
There's no way on God's green earth I would do this unless motivated by a very attractive end goal. And this end goal was to actually BE in this musical. Performing in musical theater productions happens to be one of my top three favorite things to do in this entire world, ever.
So, I got through it (no doubt with the encouragement and prayers from many beloved friends). After my audition I was asked to come to dance callbacks! Yay! Now THAT is something I can do. I will dance for you all day long if you want me to!
Sunday night I arrived at callbacks just in time. We learned some choreography and performed the combinations in groups of four. I saw a few people there that I had worked with before, specifically in "Oklahoma!" with PNTC last year (the experience that once again introduced musical theater into my system as my own personal form of artistic, emotional and social crack). This helped me relax a bit (seeing familiar people, not crack) and actually forget about my nervousness and have fun in the audition. After dancing I was asked to read lines for the character Zaneeta Shinn. She is the dance lead in Music Man, and giggly teenage daughter of the Mayor of River City. For those of you who aren't familiar with her character, the line she is most known for saying is "Eee Gads!"
As it turns out, my happy meter is now about to explode, because I got the call that I am cast as Zaneeta! I am so excited about this role, because I will be dancing quite a bit, AND I have lines as well. I am so excited to develop this giggly teenage character and to see how much fun I can possibly fit into three months of rehearsing and performing again.
The show opens April 29th and runs for three weekends (until May 15th). I put the link to the Performance Now Theatre Company's website below if you want more info.
http://www.performancenow.org/

Sunday, December 5, 2010

Remembrance Story

Last night was hands down one of the most touching performing experiences I have ever had. Just being invited to be part of Rowan Tree's Annual Candlelight Remembrance Event was an honor and an even greater honor to actually meet and perform for this seemingly tight knit community. Rowan Tree Foundation was founded by a woman (Corinne O'Flynn) who lost her first baby in the first few hours of her life. Rowan was born with trisomy, which they didn't know about until she was born. After experiencing that trauma, she found a community of people in the Denver-Metro area who had gone through similar experiences of losing a child (either pre-natally or as an infant), and founded Rowan Tree Foundation. It is a community of people who get together to support one another through these types of losses. I was blown away by the level of encouragement and love this group of people eminated to each other, and to Kevin and I last night.
  Around 6:30 pm, Kevin and I got to the church where the reception was being held. The group that would be watching our performance was already at the candlelight event, held annually at a park across the street. There is a statue of an angel in the park, which represents something precious to parents who have lost children. I was not able to attend the event because I had to set up our space and warm up before the performance. I would have loved to attend, hopefully I will be able to next year. After we got into the church, we warmed up a bit, got into costume, and put together our "set": A small couch at the back of the space (which was a wide space in the lobby, with even a beautiful Christmas tree at the back!), and a chair with a white scarf draped over it to represent what we had lost (the name of the piece is called "that which was lost"). Then, we set up the ipod speakers and did a sound check. Finally we tried a couple lifts we'd be doing in the piece before people started arriving. Right off the bat I experienced encouragement from a little girl (probably around 8 years old)-- when she saw me in my costume (a simple black dress) she said to me, "You look BEAUTIFUL!" How precious!
  As people started arriving around 7:15, I was able to meet a few of the board members of Rowan Tree Foundation. As Kevin and I continued to warm up in the hall behind the lobby where we would be peforming, Corinne (the one who I had been communicating with the whole time about the event) found us, introduced herself, and immediately gave us both hugs. She told us we'd be performing in a few minutes, after people had gotten their hot chocolate and cookies, etc., and that she'd be introducing us to the group. We could see people pouring in the doors and getting in line for refreshments. There were so many kids there, and whole families. It was so cool to see families that had been through this type of loss coming together and honoring their children together at such a healing event.
  Then it was time to perform. We walked out and stood in front of the group of people (around 150) as Corinne introduced us, and that we'd be performing a piece based on a loss I'd experienced. She said I had channeled my grief into choreography and that we'd been performing the piece around the Denver area at grief support groups. I took the mic and explained a little about what the piece meant to me, and Kevin did the same. Then we walked back and prepared to enter to perform.
  The seven minutes in which we perform the piece are always like another world to me--  I always throw myself completely into the emotions involved in the loss I experienced almost 2.5 years ago-- shock, denial, anger, bargaining, guilt, depression, reconstruction, healing. I still think about the technique of the steps but more often I am concentrating on portraying the emotions and connecting with Kevin in a real way. Something really special and precious happens to me in these several minutes, my heart is being taken through the motions of the loss once again and I am often near tears-- real ones. Last night was no exception. As I went through the different stages and as Kevin walked and danced beside me in them, a little healing bubble was created for me and hopefully for those watching. Something happens when you really understand the depth of someone else's pain-- especially if you can relate totally to that pain. As we danced the room was totally silent except for the music (and this was even more amazing considering the sheer number of small children who were there).
  When we were done the applause seemed to go on and on-- we don't normally do a classical curtsy or bow, but both of us acknowledged the applause with a little casual bow and acknowledged each other as they were clapping for us. Then we exited stage left to create a bit of closure to the piece.
  Afterward there were many individuals and couples that came up to us and thanked us for coming and performing. Several of them had tears in their eyes as they thanked us, and told us it was beautiful and very moving. This blows me away-- performing the piece has a huge effect on me personally of course (because it is my story), but whenever people tell me it made them cry or I see tears after we perform,  it is so incredibly touching and exciting as well. It tells me that our dancing and our performance as a whole was done in an honest and real way, otherwise it would not have had any effect at all on them (especially when they've gone through a similar loss themselves, they know what it is like to feel these things). Corinne later told me that "there was hardly a dry eye in the place." Another woman told me that she was sobbing throughout the piece.
  Several kids came up and said "I liked your dancing!" which was so cute. One little boy in particular came up and said "I liked your dance. Alot." I said, "Oh thank you! Which part did you like best?" He looked straight at me and lifted his leg to the side, almost spilling his hot chocolate. I said, "Oh, you liked it when we did that move?" He nodded, lifted his leg to the side again, almost spilling his hot chocolate two or three more times in the process. So cute and funny!

                                          (Corinne and I at the reception)

                                         (Part of our "set"-- and kids zooming around and having fun after the event)

 We stayed for a bit and had some hot chocolate and cookies. I was so impressed by the way everyone in the room seemed to know and love each other. Kids were zooming around and playing and families/people were standing around and talking and laughing for quite a while. This tells me that community, and sharing each others' grief, and supporting others through hard times of loss creates a healing atmosphere. In this type of atmosphere and environment, tears can be changed into smiles and laughter if we bear each others burdens. It was touching to see so many kids at the event as well, especially because of the nature of many of the losses they've experienced. I am so grateful to Corinne and those at Rowan Tree Foudation for allowing Kevin and I to be part of this special community for at least one night.

Sunday, November 21, 2010

A Walk to Remember

Kevin and I were just invited to perform at “A Walk to Remember” (http://www.walktoremember.org/), a walk and event in Littleton to raise monies to help families who have suffered the loss of a baby. At this walk and event, parents are able to honor and remember children they have lost. I am so humbled and honored that this dance has grown to be so much more than just a dance, and a way to reach out and help heal hearts and comfort to those who have lost something so precious. This year’s event had more than 900 parents in attendance, and the invitation to perform at next year’s event is a compliment far beyond what I’ve hoped to recieve!


Please contact me if you know of any group or event that might benefit from having us come share this story with them.
Official Facebook page for our grief outreach: http://www.facebook.com/ginaroseeslinger
youtube link to the dance performance in Boulder this summer: http://www.youtube.com/watch?v=un1o_ZycDrc

Tuesday, November 9, 2010

Performing, Snow, and Amazing Opportunities!

  It's snowing in Denver! The first snow of the season is always pretty magical. I love watching the flakes float and flit their way down. Driving in it at first is another story-- sometimes not so magical. Speaking of magic, I had my first almost full length performance with Ballet Ariel this week. Being onstage is always a magical experience in a lot of ways for me, especially when my nerves don't get the best of me.
  I was super excited to be performing the roles I was given: In "Napoli," a classic Bournonville ballet (translated: lots of quick movements and jumps, made to look effortless... yeah... not so easy) I was given a role in the women's trio and a solo. "Polar Equals,", the contemporary pas de deux I performed in the summer at the studio tango show, was also part of the program. It is a fast, furious, and energetic piece to Nine Inch Nails that literally leaves me breathless halfway through. Lastly, we performed "Peter and the Wolf" in which I danced the role of the bird. Again, lots of jumps, running, and quick movements. Needless to say I was exhausted by the end but happy. Not everything went exactly as I wanted (and I haven't seen the video yet, so my real opinion is yet to be formed) but I am fairly pleased with how it went.
Lately I have also been making a lot of calls to local grief support organizations and groups, offering my dance piece "that which was lost" as a kind of dance therapy performance. Because our first show at a support group went so well, I was hopeful that we would be invited to perform at other venues and support groups/events to continue to be an outreach to those in need of comfort. And, exciting news-- we have been invited to perform at The Rowan Tree Foundation's Annual Candlelight Remembrance Event in Parker early December! (http://www.rowantreefoundation.org/) The Rowan Tree Foundation is a non profit organization run totally by volunteers, helping families heal after the loss of a child. In the directors' invitation to us, she mentioned that her entire board watched the dance on video and one of the board members called her in tears, saying they needed to have us come perform. What an amazing thing! For me this is a HUGE encouragement that God is using this to help others through grief. The Candlelight Remembrance Event will be attended by about 150 people, all parents who have lost a child. I am honored and beyond excited to be able to share my story through dance with them.                                                                                                                                                             

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check out our offical facebook page for "that which was lost" grief outreach through dance:                        http://www.facebook.com/ginaroseeslinger

Wednesday, October 27, 2010

A Growing Joy




Recently Kevin and I were privileged to perform at a grief support group in Littleton (pictures above not of this show, they are of the Boulder show July 2010). It was one of the most moving and unique "shows" I have ever done. We basically set up in a big empty room and performed for the 12 members of the group on their break between sessions. Ever since I started choreographing this piece ("that which was lost") I knew I wanted to eventually use it to reach out to those who are grieving and going through exactly what I have gone through.
One sweet woman came up to us afterward with tears coming down her face and thanked us for performing for them, telling us: "I have never been so moved by dance before." She asked what the music was from and I gave her the composer and title. This is exactly what I wanted-- to bring comfort and healing to those suffering through loss. It was one of the most rewarding things I have used my gift of dance for. It has turned my own personal grief into a vessel that others might, because they have seen the piece, heal and move on just a bit faster than they would have. These opportunities to perform have turned my sorrow into joy-- I am so grateful to be able to use such a difficult experience to reach out to others and help even just a little bit.

For more info on the piece and more pictures from the summer show, go to our facebook page dedicated to the grief outreach this piece has become:

http://www.facebook.com/permalink.php?story_fbid=157256247642775&id=628520198&ref=notif&notif_t=like#!/pages/that-which-was-lost-Grief-Outreach-Through-Dance/171242346221582

Please let me know if there is any venue, event, group or performance we might be able to be a part of.

Sunday, October 10, 2010

Kicking Nutcracker in the Head.


It's Nutcracker time again... We've officially hit the season again at my new dance company. The photo at the right is me as "Clara's Friend" in DTDT's production of Nutcracker two seasons ago. My bow was not cooperating for the photo and you can see I was frustrated, so my mom took full advantage of this moment to capture it :). Speaking of frustration, most ballet dancers who have hung on for more than 10 years in this career will tell you that they dread this time of year. This is because the sheer repetition of this ballet and its music sometimes makes a veteran "nut cracker" want to, even before the start of any rehearsals,  kick it in the head. I am happy to say I haven't felt this for this year's production yet. Maybe it's because I know I won't be rehearsing for hours daily (a guaranteed way to make ones head/toes explode), but only three days a week. Maybe it is the positive environment I find myself in. Whatever it is, I am glad to be dancing the roles of Frau Silberhaus (Clara's mom), Snowflake, Arabian solo, and Flower Demi-Soloist this year. Another reason to be excited-- I rarely get to dance sultry roles like Arabian, and even more rarely a role that denotes any age over the teens (ie a mom!).  It is nice to know I will be stretching the boundaries of what I've done in the past. Can I hear a WHATWHAT for artistic growth!

My initial reaction after this first week with the company-- I am very excited for several reasons: a) Not only are the dancers in the company fabulously talented, they all seem genuinely sweet and friendly already. b) The atmosphere is awesome-- supportive and appreciative. I feel at home there already which is a great sign for me.  c) Artistically, it seems to be a great place to be as well. We will be performing three shows before the end of the year. The director and ballet mistress seem excited to rehearse us and excited about the shows. As a company we do a mix of narrative story ballets (one of their well known pieces is "The Chase" about Charlie Chaplin, and we are doing a new ballet about Molly Brown's life in the spring), classical ballets (ie The Nutcracker, Les Sylphides, etc) and contemporary pieces. It is a great mix and seems to suit my abilities well. Many companies today lean either toward just the contemporary or (less often) only the classical. The narrative story pieces are the ones that especially excite me, because of my theater and acting background.

Upcoming shows: We will have a collaborative Halloween show ("Monster Brass") with the Denver Brass on October 23rd at the Newman Center (2:30 and 7:30). We'll be doing the "Sorcerer's Apprentice" and "The Pink Panther" to the live music of the Denver Brass. 
November 7th (Sunday at 1 pm) we'll be performing with Zikr, a local dance company directed by David Taylor, at the Brooks Center in Denver. I'll be performing a solo and trio from the ballet "Napoli", a contemporary pas de deux called "Polar Equals" (with one pointe shoe!) to Nine Inch Nails, and "Peter and the Wolf." If you haven't seen me dance in awhile this will be a great one to come see because I get a lot of stage time.

And then of course Nutcracker at the Cleo Parker Robinson Theater December 11-12 (3 pm shows), and Dec 18-19th (also 3 pm shows)...
It's going to be a great season I think. It is nice to not want to kick Nutcracker in the head for sure, and I am really looking forward to seeing what else this year holds.

Tuesday, August 10, 2010

Lately...

Lately I have had a ridiculous amount of chances to perform, a direct gift from God. (Thanks God :) ). After "Dark Deeds" closed, I was able to perform up in Boulder with Delusions of Grandeur dance company's "Body of Sound" and debut my piece "that which was lost," a pas de deux about processing through significant loss. It was especially moving because Kevin and I were able to dance to a live string quartet. I also got to perform some improvisation to drums, and dance in a traditional Russian character dance "Dark Eyes," which was so fun for me-- some of my favorite memories at the U of Utah ballet department were of Character Dance Ensemble where we learned and performed many different types of folk/character dances. All of "Body of Sound" was performed to live music and the reactions from the audience members were so enthusiastic! It was truly an exhilarating collaboration with the live musicians, everyone was there because they wanted to be, and all of us were truly excited to share our work with the audiences (which were nearly sold out both nights). I hope to participate again in the future when Delusions of Grandeur does another show. The drives up to Boulder were so worth it!
  After that I got to dance a contemporary pas de deux at a local tango performance with a well known choreographer and dancer in the area. It was to an instrumental NIN song, I wore one pointe shoe and we did some really fun and crazy lifts and partnering. It was a great experience to work with him (he was a principal dancer at Colorado Ballet for years) because he is one of the best partners I've ever danced with and is such a creative and talented choreographer. Best of all I know I grew as an artist and dancer through it all.
Me rehearsing my piece "that which was lost" with the string quartet
  If you want to see my piece I did up in Boulder ("that which was lost") here is a link to the Vimeo site: http://vimeo.com/13520147 (my piece is at 6:30)

Thursday, July 8, 2010

Emotional

Today is one of those days that being a "feeler" on the Meyers Briggs Personality Test truly defines me... Part of what that means is that my emotions sometimes drive my day or what I decide to do. I feel certain things very deeply and this affects me in my daily life sometimes.
Sometimes in rehearsal for my piece on grief and loss (which we perform next week!) I am "in it," in the story of the piece and my brain and heart process right there in the moment while dancing and I walk out feeling refreshed and that I've processed something good. Today was not one of those days. It was a good rehearsal, but I am feeling more of the weight of the piece now, afterward. It is all sitting heavy on my heart.
Losing something precious is not something that is processed through quickly. In our case, we lost a tiny child I didn't know I was pregnant with. I began miscarrying about six hours after I found out I was actually pregnant. This happened to us a couple years ago, and I am nowhere near done processing this event in my heart. I am glad to be telling my story in hopes it will encourage someone else going through their own personal grief, but feeling that loss is hard. There's just no other way to say it. It's hard.

Wednesday, June 23, 2010

Yelling at My Bed.

(Pictured above is myself, Kevin (my dance partner in the July show), and Colleen in "Mobile" March 2010)
Today I am appreciating the demanding discipline of dance. As much as I love to complain about the sore muscles, the general fatigue, and getting up early (earli-ER that is) for class, I pretty much always am glad I did it. I've been preparing for a dance audition and a show in July up in Boulder (see my facebook page for details). And that means ballet everyday and pointe shoes back on my poooor little feet (cue sympathetic "awwwwwww"s). Those things make taking class at LEAST a billion times harder than dancing in the nice soft canvassy goodness we call flat shoes. Otherwise known as ballet slippers.
I haven't danced everyday for awhile, due to my rib injury and before that, the ballet company season ending. It is just hard to make yourself get up everyday and do rigorous exercise if it's not totally necessary-- or if you are getting paid to do it (or in my case, would lose my non-paying job if I didn't show up). There's something about my bed that is just so comfy early in the morning. It talks to me, croons at me, says, "Isn't it so nice and cozy here? Look, you are soooo tired. You really DO need your sleep. Come on, you can skip class just for today. It's not a big deal." To which I reply, "GET BEHIND ME, WARM COZY BED!!!"
Ok, well, most days I do. Some days I just submit to the soft sleep cocoon. But the last few weeks I have actually done better in this respect. There's just something about an audition and show in the near future that strikes the fear of "Holy crap, I am going to look like a complete idiot in this audition and/or onstage if I don't get myself into performing shape immediately" deep into my heart. Something about a whole audience of people watching my every move makes me get my butt into high gear.
My point is: Discipline. It's hard. I hate getting up earlier than I need to and forcing my legs and body into positions it doesn't like (at least the first 20 minutes until my muscles warm up). But I am always glad I did. Now, just to convince my bed to stop talking so nicely to me early in the morning...

Wednesday, June 16, 2010

Loss


We had our third rehearsal today for a piece I choreographed, called "Loss." I set it on myself and a guy I danced with at the ballet company. It is loosely based on the seven stages of grief and how a couple deals with a mutual loss together. I choreographed it based on a personal experience of loss that happened a couple weeks after we moved here to Colorado, which makes it a rich and difficult piece for me to work on and rehearse. I choreographed it knowing this would be the case. Processing this loss has been a long slow haul for me and I am nowhere near done, and don't expect to be in the near future.
I knew I needed to do this piece when I woke up one morning to the clock radio tuned to the classical station, hearing the sounds of a string quartet singing a slow and beautiful song (from what I heard in my heart) of grief and towards the end, hope. It gave me chills from the sheer beauty of it, and also immediately brought the memories of our loss rushing back into my conscious. I knew at that moment I needed to look up that song and use it as a way to express my story.
Working on this piece with my partner has been a really great experience already, even though it's only been three rehearsals since we started. After completing the choreography in two rehearsals (and it's seven minutes long!) we have started really feeling the cadence of the music and telling the story of the couple and how they move through grief together. I am feeling the steps become not just steps but ways to show where I was at those particular moments just weeks after the move to Denver. I can tell it will become harder emotionally the more we rehearse, but I am ready for that. I know God brought me this piece of music, and this opportunity to perform it in Boulder mid-July for just a time as this. I am so glad he is giving me the opportunity to continue processing in my own heart and to perhaps touch others who have gone through, or are going through right now, their own losses.
Here is a video of a string quartet playing the piece if you are interested-- they play it beautifully!
www.youtube.com/watch?v=Qrw5pE5uqzI

Tuesday, June 8, 2010

Dark Deeds Done.


We did it... We finished the two weekend run up in Brighton for "Dark Deeds at Swan's Place (or Never Trust a Tattooed Sailor)." I am once again in post show blues. It's the same every time. Every time, a jarring realization it is over. It gives me all the more motivation and passion to give it all when I am given the gift of being onstage-- because, truly, no show lasts forever. You only get so many chances to play the role, say the lines, dance the choreography. It's like the basketball players say, "Leave it on the court." I think that's what they mean anyway :). Above is Mother McGoof telling the audience her sorrows. I think this is one of my favorite things about melodrama, the breaking of the fourth wall and getting to talk directly to the audience. It involves them in a wonderful way and makes them feel as if they know you.



Here is our hero, Matt ("Jack Swan") and me as Tai Pan. He is hilarious and does one of the best cheesy heroes I've ever seen, goofy and totally stereotypically gallant.


Larry ("Captain Bermuda") and his parrot Venus. Venus had lines by the way. Next to me as a pirate is Kelly (our damsel "Bertha Birthright" later in the show).


Keith ("Sourdough Birthright" and "Preacher"). He got to die in his opening scene which I was quite jealous of. I think it would be so fun to die onstage. Not literally of course.



Dan, the villain "Montague Leech" and "Tai Pan" (aka "Frying Pan," "Kung Fu," "Ginzu" and other ridiculous names) in character! I had to concentrate so hard to not laugh onstage during our interactions. He is one of the most hilarious villains I've ever seen.



Band of seedy pirates! ARRRRRRRR! I am going to miss singing and dancing around with my sword.... Thanks for the great time guys. I miss you already.

Friday, June 4, 2010

Look! I'm Asian!

It's time for a new post.
I'm in a new play! This time it is a melodrama (think Muppets type humor, stupid jokes, overacting on purpose, stereotypical characters that are super fun to play). There is so much ridiculousness that ensues in this production. We have a villain and a damsel in distress...

We have a hero! *cheers*:

Ok well, he's not in character at the moment but you get the idea...
And we have me, Tai Pan, a clueless yet business savvy Chinese girl:


I play a pirate before I play Tai Pan, thus the head wrap and black pirate coat... You can see, however, that I am wearing a wig-- the greatest invention ever for stage. All I have to do is pin up my own hair, put it on and voila! Instant look change! Now, the makeup takes a bit longer than that but I won't bore you with those details.
I have had a blast with the other actors these last couple months. It is one of those plays that is written so well that you laugh your way through the entire play, everytime. Even after lots of rehearsals and hearing the same lines over and over. It's been a while since I personally have had actual lines onstage-- I did a lot of theater in high school and college but since focusing on my dance career, I haven't had the chance to delve into acting much. I absolutely love being stretched as an actress this way, especially in a comedic role, even though it has been a big challenge.
We close the play this weekend-- come see me! Give me a call or check my facebook page for details on when and where!

Thursday, May 13, 2010

Pictures worth a thousand words each...





I am currently processing through post-show blues-- missing the fun of Oklahoma and all the people involved... But here are some pics (professional quality!) to show you all the fun I had! The pictures of me in the white dress are of the dream ballet, in which I played Dream Laurey. The green dress/corset pictures are of me as part of the female ensemble. Fun fun. For the whole album (if you are on Facebook) click here: http://www.facebook.com/?ref=home#!/album.php?aid=2031340&id=120701580&ref=mf















My personal favorite of my partner and I, above-- it captures the feel of the ballet duet perfectly in my opinion.

Wednesday, May 5, 2010

Last weekend of "Oklahoma!", Growth, and Encouragement


We have performed two fabulous and exciting weekends of "Oklahoma!" so far-- two down, one to go. The photo above is me as "Dream Laurey" next to the real "Laurey." I am already preparing myself for the post-show letdown. For me this means missing the excitement of being onstage, being around such energy and wonderful music/dancing, and missing the company of people I grow to love over the rehearsal process. We have become and are now a community of people working toward the same goal of telling a good story with music, acting, and dance. A lot of times we will go out after a show for drinks and food which solidifies our friendships beyond our work/rehearsal/show environment even more. It is a huge understatement to say I love this cast. It is rare to get along with everyone in any show, but I dare say it is true in this group of people.

In any performing situation, it is normal to feel insecure about one's talents or abilities. The thing that stands out most about this cast is the encouraging words and actions being dealt out daily. I have never felt so encouraged or uplifted in any rehearsal/performance process. To anyone in the cast reading this-- thank you. You have contributed greatly to my growth as an artist and human being.

Dancing the role of "Dream Laurey" is an amazing experience for me. I am doing partnering that I wasn't given the chance to do in the ballet company and found out that I really am capable of achieving these things! Having a solo, although intimidating, is freeing as an artist-- because I can connect with the audience in a special way while I am onstage alone. Not only have I have grown as a dancer but as an actress. The more I delve into Laurey's character the deeper the experience becomes when I perform the ballet-- she's not just a girl with a crush, but someone working out her deepest fears about love. It has been a privilege and gift. Here are a few pictures of me and the cast so far, more coming soon. If you haven't come to see the show yet, please check it out-- it's our last weekend of shows and you won't want to miss seeing this incredibly talented cast of people!


John and I, he plays the villain "Jud." Ironically he is one of the nicest men I've ever met.


Callie, Rachel ("Ado Annie"), and I in the dressing room in our farm dresses.


Putting on the makeup, making silly faces. Love it!!